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#Andrew lloyd webber cinderella musical trial#
Ilana Keller is an award-winning journalist and lifelong New Jersey resident who loves Broadway and really bad puns.During your trial you will have complete digital access to FT.com with everything in both of our Standard Digital and Premium Digital packages. Go: "Bad Cinderella," Imperial Theatre, 249 W. And so I always take that with me every time I run on stage for that part because it's something we dream about. It's such a beautiful and powerful moment. Then I looked out in the audience and that's when I had this overwhelming feeling of 'Oh my god, this is real,' " she added. "The first time I actually sang it in tech rehearsal, I started bawling. There's a memory Genao now carries with her at every performance - as she stands alone on a stripped-down stage singing Act II's "I Know I Have A Heart." Today, she's no longer nervous around him.
He'll be like 'Linedy, forget what I wrote on the paper, forget the note, sing it however you want.' He has really helped me embrace my artistry and bring my individuality to it." He wants to make sure that I'm happy and really make sure that I'm a part of the process.
"He has taught me to believe in myself," Genao said. She credits Webber with helping her confidence. "I couldn't believe that I was in a room with Andrew Lloyd Webber, that he was looking at my headshot and he was holding my hands and he was talking to me. Working with Webber has been an incredible journey, Genao said.Īt the final audition, "I was just so overwhelmed and grateful," she said. "And I think that's important, especially as a woman, to let people know when they're wrong or when you disagree, or when you don't believe in it and it's just not right." On Andrew Lloyd Webber "She doesn't keep her mouth shut," she added. She takes up space and demands that people know how she feels. "She does not want to conform to what her whole society is pressuring her to be like. "She's rebellious in the way she dresses and the way that she composes herself and the way that she presents herself," Genao said. Her character has a heaping dose of badass attitude. "You're going to walk out having a great time and laughing and crying."
#Andrew lloyd webber cinderella musical full#
The show is just full of joy, so much fun, color and happiness," she said. There are a lot of twists and turns, Genao said. "Everything you thought you knew about the Cinderella tale you don't because it's very different." "It's the unconventional fairy tale," she said. So what's the rundown on the new musical comedy, which comes to Broadway direct from London? I'm glad that I had the experience of being in the ensemble to know what that's like and how special that is." 'Unconventional fairy tale' "It's been really, really special because I don't want to feel that separation," Genao said. Often, they say one word about what they're feeling in the moment. She's lost some of the backstage camaraderie to stage time and vocal rest.īut she still has a connection with her fellow actors.īefore every show, the cast gathers in a circle and takes breaths together. There has been a transition going from an ensemble member to a leading lady. "It's one of the honors of my life to represent the Latin community and give a voice, and hopefully be able to help people see themselves represented on stage now in different ways." Genao becomes the first Latina to originate a leading lady role in Webber's canon. Now in previews, it opens Thursday, March 23. Next up is the lead role in "Bad Cinderella," a modern take on the classic story, with music by Andrew Lloyd Webber, lyrics by David Zippel and a book by Emerald Fennell. She returned to "On Your Feet!" late last year as Gloria Estefan in the regional production at Millburn's Paper Mill Playhouse. She went on to become the first Latina to play Zoe in "Dear Evan Hansen" on tour, later playing the role on the Great Bright Way. Genao made her Broadway debut in 2015 with "On Your Feet!," the story of Gloria and Emilio Estefan. I don't have to pretend.' "Īnd she was right. There's a place for me on the stage where I can be myself. "That was the first show and time where I was like, 'I can be in that. I started hysterically sobbing, like it was an out-of-body experience," she said in a recent interview. "When I heard the words 'Dominican Republic! I love it! Jesus, I'm jealous of it,'. Linedy Genao sat in the "tippy top" of the audience at Lin-Manuel Miranda's "In the Heights" on Broadway and wept.
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